Friday, September 19, 2003


Underworld is an odd mix of many positive and negative elements. Some love it, others hate it, and the vast majority of critics simply don't care.

The best aspect of the film by far is its well-imagined fictional world. In this story, vampires and werewolves (called "Lycans") have been in conflict for many centuries, and continue their war in today's world. They live as underground gangs, ever looking for new ways to destroy each other. The vampires, using modern technology, have found ways to artificially create human blood, thus removing their need to feed on human beings. Additionally, the Lycans--unlike traditional werewolves--have the ability to completely control their transformations.
The major difference between the two factions is that the Lycans have the advantage of brute strength, while the vampires must avoid sunlight and rely on weaponry in order to stand a chance. Another rather refreshing spark of originality is that Underworld's vampires and werewolves are not supernatural beings at all, nor are they intrinsically malevolent. Instead, their abilities derive from a much more science fiction-esque mutated virus.

Kate Beckinsale plays Selene, a vampire "Death-Dealer" (Lycan hunter). When she meets a young man that may be the key to a long-forgotten secret of both the Lycans and Vampires, she delves into forbidden history, revealing some rather shocking truths.

The undersaturated, gothic visual style of Underworld is striking. This style makes the world of Underworld feel somewhat special, despite its lackluster character and emotional beats.

A rather surprising thing about the film is that, for an R-rated film, it is extremely light on mature content. For a film about a super-powered bloody gang war, there isn't actually that much gore, save for a specific scene or two. Even more surprising is the fact that—despite the film being centered on a vampire Kate Beckinsale wearing a tight black leather outfit—there was absolutely no R-rated sexual content whatsoever. I literally sat there after finishing the movie and thought "where was all the sex and violence?"

One place that Underworld truly stands out, however, is in its obviously-well-thought-out universe and mythology. Everything from the design and function of the characters' unique weaponry to the intricate history of the vampires and lycans is dense with detail. In fact, it's so dense that it can almost be hard to follow at times. There is a lot of exposition in this movie. A lot.

The main problem with Underworld, however, isn't its plot, its characters, or its world. It's simply that there aren't that many strong emotional beats in the story. Considering that this is largely a story of loyalty and betrayal (with a side of love), there should be a lot more punch in this movie's emotion. There's any number of reasons this could be: the flat and boring music, the only moderately-well-written script, the monotone feel of the directing, etc. In the end, this lack of heart is what turns Underworld from a good or great movie into a merely decent one.

Truth be told, the concept of Underworld is really its most enjoyable aspect. The mere idea of a "sci-fi vampire/werewolf gang war" makes this film at least passable. Kate Beckinsale perfectly fits—and defines—the character of Selene, adding some much-needed depth and interest to the otherwise bleak story.

If you're a big fan of gothic fantasy, I'd recommend this film. It's got some great ideas and a rather complex mythology that may hold your interest.


Friday, February 14, 2003


(Note: this review is based on the Director's Cut of the film, not the theatrical version)

As a twelve-year-old boy, Matt Murdock is blinded when toxic waste splashes in his eyes. However, his other senses develop to a superhuman degree, including a sonar-based "radar sense." When his father is murdered by criminals, Matt spends the rest of his life training to be a skilled martial artist and acrobat, eventually becoming the devil-themed crimefighting vigilante known as Daredevil, "the man without fear." Matt has also become an attorney, using his heightened senses as a lie detector.
Matt meets Elektra Natchios (who is both the daughter of a billionaire and trained in ninja-style martial arts), and the two begin dating. When Elektra's father comes into trouble with Wilson Fisk, the "Kingpin" of crime in New York, all manner of tragedy ensues, ending up in a three-way battle between Daredevil, Elektra, and "Bullseye," the deadly assassin who never misses.

This movie's plot, for the most part, is basic and not very well-developed. Most of the characters suffer from the same lack of development, and it really hurts the movie overall. Aside from Matt and Elektra, no one else in the film really has much to do other than "their jobs." Even though the Kingpin and Bullseye are excellently acted and highly entertaining to watch, they don't "develop;" they simply stay the same and play straight-up bad guys. This isn't necessarily a problem in itself, though it does place the focus of the film squarely on the leather-clad hero couple. That wouldn't be a bad thing, if not for the fact that they don't quite shine in the limelight.

The romantic story between Matt and Elektra isn't quite given the time it needs. Their relationship jumps from curious flirtation to deep affection too fast for the audience to emotionally follow along. In the beginning of the film, their story actually feels like a bizarre type of celebrity worship, as though the audience is supposed to fawn over the sheer spectacle of seeing Jennifer Garner and Ben Affleck on-screen in a flirtatious action scene together.

Elektra is never given a real reason for learning such deadly martial arts, other than merely for self-defense (which doesn't make sense, considering that she's clearly trained with the skills of an assassin).

Fortunately, Matt is very well-developed in this movie. He may be slightly miscast with Ben Affleck, but not to a terrible degree. We get the most time with him, we understand what makes him tick, and we get why he's attracted to Elektra (and why he comes to care deeply for her).

Unfortunately, there's a certain level of silliness that permeates much of the film. Too many stunts involve entirely unbelievable wirework or extremely stiff fight choreography. Even worse, there are dozens of shots with obviously CGI versions of the characters doing ridiculous acrobatic stunts. No one in the film has actual superhuman strength, so why can characters sometimes leap 20-30 feet at a time? It all only serves to bring the film down.

The last twenty minutes of the movie, however, are excellent. The entire narrative switches from a slightly cheesy superhero crime story to a dark, tragic drama filled with powerful gothic imagery. It's these final moments that manage to elevate Daredevil to a seriously deep and enjoyable level.

Were the entire film like the last section, it would flat-out be a great dramatic superhero movie. As it is, it's just decent fun. Not worth raving over, but certainly worth watching.