Tuesday, August 12, 2008

Superman: Doomsday


Superman: Doomsday was the first in a new line of direct-to-DVD animated films by DC Comics. It takes place in its own fictional universe, having no relation to the previous animated DC stories.
These new DC animated films have been purposely made for a PG-13 audience, containing blood, mild adult themes, and some language. Of course, there's nothing sensationalistic about the new, more mature content. It's all only there to tell a deeper story.

Superman: Doomsday is an animated "adaptation" of the Death and Return of Superman story from the early 90s. As the best-selling comic book story of all time, expectations were very high for this film, especially considering the fact that it was being directed by Bruce Timm, the director of Batman: The Animated Series, Superman: The Animated Series, Batman Beyond, and Justice League. Superman: Doomsday is essentially the hybrid child of Superman: The Animated Series and The Death and Return of Superman, but it sadly fails to live up to either tale.

The Death and Return of Superman (hereafter referred to as DRS) was set in the mainstream DC Comics Universe, where every other DC superhero lived alongside Superman in the same fictional world. Throughout the dramatic story, it was clearly shown that no other hero was equipped to stop the rampage of Doomsday, the seemingly indestructible monster that only favored death and destruction. After leaving a path of destruction and beating the Justice League to a bloody pulp, Doomsday continued on towards Metropolis, engaging with Superman in a battle that ended in both their deaths. Superman's memorial was perhaps the most emotionally powerful element of DRS, as it showed virtually every superhero in existence honoring the death of their greatest friend and ally. That scene was a universal acknowledgement that Superman was and is the greatest hero that ever lived.
Of course, Superman, being the Christ-like figure that he is, was resurrected. It has been strongly hinted that he will never truly die, and will always fight for the cause of good.

The most interesting point of this story is that it highlights the fact that Superman is the ultimate hero. Throughout DRS, it is shown that although not everyone is fond of Superman, ultimately they need him. Superman represents the goodness and hope of the world, and, for the sake of mankind, he must persist.

Superman: Doomsday does a poor job of illustrating this point. No mention is made of Superman's iconic significance, and only those close to him are shown mourning. Furtermore, the entire film seems rushed, making the scenes that should seem dramatic become less than satisfactory, and often boring.

Unlike Superman: The Animated Series, Superman: Doomsday does not have the kind of pacing that serves an animated dramatic tale. Its short running time keeps the immensity of the subject matter crammed into a quick, unsatisfying story.

The choice of voice actors is not particularly pleasing. While Lex Luthor sounds pleasantly slimy and serpentlike, Superman himself sounds very raspy and rough, far from his calm-and-welcoming-yet-commanding voice from Superman: The Animated Series. If the voice cast from the previous Superman iterations had been kept, it might have made the film a bit better.


Another odd choice was the decision to alter so much of the story. While the basic facts are the same (Superman fights Doomsday, dies, and returns), the other major details are left out. The mourning of the Justice League is omitted (as is their very presence in the film's universe), and other major storyline developments are oversimplified. While some of these choices make sense, others are rather odd.

The action in the film is not amazing or terribly clever, but it is generally good, and enjoyable.

Honestly, this film has enough good qualities that, with the right overall plot development, it could have been an overall positive viewing experience. However, with the complete lack of emotional impact that Superman: Doomsday delivers, I can't recommend it.

3/10.

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